A quickening of tempo appears during the figures with the 4 river gods created by Bernini about the fountain in the middle with the Piazza Navona in comparison with Giovanni Bologna's figures on the Fountain of Oceanus within the Boboli Yard. In Tribolo's river god in the Villa Corsini, Bernini experienced an excellent closer achievable prototype for his sprawling figures, symbolizing the 4 continents of the entire world thrown into attitudes of ponder at beholding the obelisk erected with the munificence of Innocent X. In this particular occasion the figures are of white marble, contrasting with their rocky environment, as in Montorsoli's rustic fountain in the triton at Genoa. The extremely allegory from the 4 river gods follows an extended Florentine tradition, which evidently commenced in 1536 While using the momentary figures erected with the Ponte Santa Trinita in honor of Charles V, and was continued by Montorsoli and Francesco Camilliani.
With the triton which he modeled in 1633 for the center of the fountain erected while in the late sixteenth century at a single end of The good Piazza Navona, Bernini selected the previous motif of the figure which has a spouting dolphin. The standing central figure dominating lesser creatures of The ocean, present in a great number of Tuscan fountains, is listed here introduced to perfection, not just while in the naturalism and impetuous movement of your statue, but additionally in its Exercise, from the torsion of your body because the central ornament into a freestanding fountain. The skilful usage of contrapposto, the depth of the facial expression, and also the tossing of your tousled locks reinforce the effect of impassioned movement.
The pathos and agitation of baroque sculpture, like that of Scopas in antiquity, seem to be significantly tailored to the illustration in the restless creatures of The ocean. To start with glance, it could seem a much cry from the Neptunes of Ammannati and Giovanni Bologna, with their difficult modelling, to the freedom and verve of this figure; but Bernini's triumph would've been not possible without the extensive and arduous study with the Florentine sculptors in the past century in the problems offered by a figure placed at the center of the freestanding fountain.
Two of Bernini's isolated fountains are decorated with central figures of tritons spouting upward by way of a conch shell  the dropped fountain on the Villa Mattei, produced about 1629, acknowledged only from an etching in Falda, plus the famous Fontana del Tritone, erected within the Piazza Barberini in 1640. As we have observed in an previously chapter, the motif with the triton spouting upward was regarded to Florentine sculptors during the Cinquecento, and was even utilized as the central motif about freestanding fountains.
In his later on and even more monumental triton fountain, Bernini turned down the plurifacial treatment of his Tuscan prototypes for an easier frontal conception more here in keeping with the colossal proportions of his figure. His usage of travertine being a medium is especially content. Darkened by the drinking water, and overgrown with moss until it seems a Component of nature, this stone dissolves to the bordering atmosphere additional readily than the white marble frequently made use of at Florence.